We wanted to shoot at sun set, more specifically at the blue hour. We wanted to use the blue light and setting sun to create a dark and moody vibe. Moody we got as it started raining a few kilometers away of us. The dark clouds blocked our light and instead of 2 hours of light we had 1 hour. It was quite inconvenient because total darkness was not something we had prepared for. However we soldiered on and shot the car scene in total darkness. Story wise this wasn’t great as the original idea was that the car scene happend before the scene in the forest. But we lit the car using Nanlite pavotubes and the forza 60d for his face and the scene worked out very nice so we kept in in the film.